In a turn of events that has stunned fans and rocked the alternative rock world, Jane’s Addiction guitarist Dave Navarro has filed a $10 million lawsuit against longtime frontman Perry Farrell, accusing him of assault and battery during the band’s highly anticipated 2024 reunion tour. The civil complaint, filed Wednesday in Los Angeles Superior Court, claims that an “unprovoked” and “brutal” attack by Farrell, both onstage and backstage, ultimately brought the band’s tour—and their much-hyped reunion—to an abrupt and heartbreaking halt.

A Reunion Tour Marred by Violence

Jane’s Addiction’s 2024 reunion was supposed to be a triumphant return for the legendary group, bringing all four original members—Navarro, Farrell, Eric Avery, and Stephen Perkins—together for the first time since 2010. The North American tour, spanning 33 dates and selling over 100,000 tickets, was one of the most highly anticipated events in alternative music this decade.

But according to newly filed court documents obtained by PEOPLE, the dream reunion quickly turned into a nightmare. Navarro, joined in the lawsuit by Avery and Perkins, alleges that Farrell “ruthlessly assaulted” him during a mid-show incident in Boston in September 2024. The complaint describes the attack as “brutal and unprovoked,” claiming it was witnessed by thousands in the audience and millions more online after footage of the incident went viral.

“As if the pain and humiliation of the onstage attack were not enough, Farrell continued his unhinged barrage of punches backstage (collectively, the ‘Attack’),” the filing states. “The Attack, which was virally viewed by millions of people worldwide, was brutal and unprovoked. It quickly forced the termination of the show and eventually the entire Tour.”

Fallout and Public Apology

The alleged altercation marked a devastating turning point for the band. According to the lawsuit, the Boston incident forced the cancellation of the remainder of the tour, leaving fans disappointed and the band’s future uncertain.

Farrell reportedly addressed the incident publicly in a now-deleted Instagram post, admitting to “inexcusable behavior” and apologizing to his bandmates, particularly Navarro. The court documents quote Farrell as saying he was “taking full accountability for how [he] chose to handle the situation” during the Boston show.

Despite the apology, the damage was done. The tour was canceled, and the group’s long-awaited reunion ended not with a bang, but with a lawsuit.

Inside the Lawsuit

Navarro’s attorney, Christopher Frost, released a statement to PEOPLE outlining the band’s perspective. “In 2024 the four ‘original’ members of Jane’s Addiction came together, against all odds, with a new tour and new music. Persuaded by Perry Farrell to revive the legendary configuration of the band, Dave Navarro, Eric Avery, and Stephen Perkins had high hopes that they could capture the pure spirit of the band’s early days and build on it,” Frost said.

He continued, “Initially they did, in the studio and onstage. But, as our lawsuit explains, they did so with a fourth bandmate who was by turns unwilling or unable to perform to a reasonable standard and who repeatedly threatened to derail the tour. Ultimately, with the attack on Dave Navarro seen around the world, Perry Farrell abruptly and unilaterally ended all the plans for a Jane’s Addiction revival. He also left his bandmates holding the bag for an unfulfilled tour and record deal, as our lawsuit explains in detail. Dave, Eric, and Stephen never wanted it to come to this. But they have been wronged, want the accurate story told, and they deserve a resolution.”

Farrell’s Response: “A Clear Example of Bullying”

Farrell’s camp, however, paints a very different picture. In a statement to PEOPLE, a representative for Farrell called the lawsuit “yet another clear example of the group uniting to isolate and bully frontman Perry Farrell.” The rep said the timing of the suit was “no coincidence,” claiming it was filed only after Farrell’s team prepared their own legal action.

“It’s a transparent attempt to control the narrative and present themselves as the so-called ‘good guys’—a move that’s both typical and predictable,” the statement read. “Just like when they released a defamatory and entirely unfounded statement about Perry’s mental health and unilaterally canceled the remaining tour dates without his input, they’re once again scrambling to get ahead of the truth in a desperate effort to save face.”

Fans Left Reeling

For longtime fans, the news is both shocking and heartbreaking. Jane’s Addiction helped define the sound of alternative rock in the late 1980s and early 1990s, with classics like “Jane Says” and “Been Caught Stealing.” Their reunion was seen as a chance to recapture the magic of their early years and introduce their music to a new generation.

Instead, the band’s legacy is now overshadowed by legal drama and personal conflict. The viral footage of the Boston incident prompted an outpouring of concern and speculation online, with many fans expressing disbelief that such violence could erupt between bandmates onstage.

What’s Next for Jane’s Addiction?

As the case moves forward, the future of Jane’s Addiction remains uncertain. The lawsuit not only seeks $10 million in damages for Navarro, but also highlights the emotional and professional toll the incident has taken on all parties involved.

Meanwhile, the band’s planned new album and tour dates are on indefinite hold. For now, the group’s milestone reunion has become a cautionary tale about the challenges of reuniting rock legends after years apart.

A Legacy in the Balance

While the legal battle plays out in court, both sides are fighting to control the narrative. Navarro, Avery, and Perkins say they want the truth to be told and justice to be served. Farrell’s team argues that he is being unfairly targeted and that the full story has yet to emerge.

One thing is clear: the events of September 2024 have changed the trajectory of Jane’s Addiction, perhaps forever. As fans wait for answers, the hope remains that one day, the music—not the mayhem—will take center stage again.